Timespan presents Milly Thompson’s The Moon, The Sea & The Matriarch, a celebration of the pleasures, woes, cellulite, and desires of menopausal, older and middle aged women.

Timespan, Dunrobin Street, Helmsdale, Scotland, KW8
6 July to 29 September 2019


The Moon, The Sea & The Matriarch includes a solo exhibition of paintings; luscious portraits of older women indulging and enjoying themselves, soundtracked by My body temperature is feeling good (Soundscape ULTRA MIX 1:2:3), 2017a song in three parts – Still Same Sexy, Morning Light; Afternoon Heat and Night-Club – following an older woman on a solo beach holiday, gregarious and rampant.

The Moon, The Sea & The Matriarch will command the whole of the village – banners will be raised on the lamp posts; the Timespan building turned gorse yellow; our geology garden revamped in crystal and Call to the Sea posters fly-posted each week. In the harbour two painted texts FACE THE HILLS/FACE THE SEA create a microcosm of anxiety reflecting the artists conflicting feelings of being in a small village surrounded only by sea and hills.

To launch the project, an all woman local choir wearing sunset coloured outfits will sing sea shanties and fisherwomen lullabies on a boat procession down the Helmsdale river and out to sea at twilight.

To accompany the show Milly has worked with herbalist and perfumer Eliza Douglas (Art of Fragrance) to produce a collection of three perfumes: SHATAVARI INVISIBLE; PROPOSITION and VOLATILE. Each utilises shatavari as its base note. Shatavari is a herb known as ‘Queen with a Thousand Kings’ and has been used for thousands of years medicinally, primarily to holistically support the female reproductive system at menopause. It can supposedly make the ovaries fertile again and must be prescribed with care by a qualified herbalist.
The perfumes are available to buy from Timespan as a set, or individually, depending on mood for solitude, seduction or power.

A newly commissioned series of A0 digital posters, ‘Mythmaking Posters’, will be permanently pasted to the foyer and corridor walls in Timespan.

Jen Thatcher has written about Milly’s work for The Moon, The Sea & The Matriarch. (see ‘More’ below)