Grey Area, 31 Queens Road, Brighton, East Sussex, Brighton Grey Area
Alison Jones, Martha Rosler, Milly Thompson
Designed around Rosler’s 1982 film Martha Rosler reads Vogue. In 2012 not a lot has changed. Rosler asks, “What is Vogue? It is photography, it is voyeurism, it is mystification, it is fascination, it is desire, it is identification. … It’s the look, the pose… The skin of luxury. …It is money, it is luxury, it is having it all… … all … all…”
The script for Martha Rosler reads Vogue (Rosler, 1982) is included in full in VUOTO (2012), an artists book published for a second related exhibition – ÉVASION (2012).
Installation view, left to right: Milly Thompson, 'You know you want it, (Romance Poster Series I)', archival inkjet print, 109 x 55cm, 2010; Alison Jones, 'Overflowing with Contemporary Masterpieces by Newton, De Kooning, Warhol, Dubuffet and Ruff, their Park Avenue Upper East Side Residence Gives New Meaning to the Term 'Art House'', 100 x 70cm, ink on paper, 2010; Milly Thompson 'Les rêves sont déjà réalitiés, (Romance Poster Series I)', archival inkjet print, 109 x 55cm, 2010
Installation view, left to right: Martha Rosler, 'Martha Rosler Reads 'Vogue'', 1982, video, 25:45 min, colour, sound; Milly Thompson, 'Alone - 9:30pm (Romance Posters, Series I)', 2010, digital print, 109 x 55 cm
Installation view, left to right: Alison Jones, 'Overflowing with Contemporary Masterpieces by Newton, De Kooning, Warhol, Dubuffet and Ruff, their Park Avenue Upper East Side Residence Gives New Meaning to the Term 'Art House'', 100 x 70cm, ink on paper, 2010; Milly Thompson 'Tears, (Romance Poster Series I)', Milly Thompson, archival inkjet print, 109 x 55cm, 2010
Installation view, left to right: Alison Jones, 'Moving the Helmut Newton, Weserburg Museum fur Moderne Kunst', 100 x 70cm, ink on paper, 2010; Milly Thompson, 'Beauty as isolating as genius, (Romance Poster Series I)', archival inkjet print, 109 x 55cm, 2010
Invitation card
A-board at entrance of GreyArea for 'Martha Rosler reads Vogue'